Past

Africa Basel

Ackermannshof, Basel

06/16/2025 - 06/22/2025
1/14
Africa Basel

Africa Basel
installation view

Africa Basel
installation view

Kwama Frigaux
Kwama Frigaux
Untitled 5, 2023
blisters, glass painting, staples
190 x 86 cm
Unique artwork
©Nadeshda Ermakova
Available

Kwama Frigaux
Kwama Frigaux
Untitled 2, 2023
blisters, glass painting, staples
184x86 cm
Unique artwork
©Deniz Bedir
Available

Kwama Frigaux
Kwama Frigaux
Untitled, 2023-2024
blisters, food waste plastics, glass painting, staples
163x161 cm
Unique artwork
Available

Kwama Frigaux
Kwama Frigaux
Untitled, 2025
blisters, recycled beads, cotton thread, staples
29 x 8 cm
Unique artwork
Available

Kwama Frigaux
Kwama Frigaux
Untitled, 2023
fragments of plastic bottle, glass painting, staples
190 x 68 x 21 cm
Unique artwork
Available

Kwama Frigaux
Kwama Frigaux
Untitled, 2025
fragments of empty plastic bottles, glass painting, blisters, recycled glass beads, staples, cotton thread.
157 x 143 x 20 cm
Unique artwork
Available

Kwama Frigaux
Kwama Frigaux
coussin Doliprane, 2024
silk organza, foil from empty blister packs, cotton thread
15 x 13 cm
Unique artwork
Available

Kwama Frigaux
Kwama Frigaux
coussin Diffu K, 2024
silk organza, foil from empty blister packs, cotton thread
15x14 cm
Unique artwork
Available

Kwama Frigaux
Kwama Frigaux
coussin Eliquis, 2024
silk organza, foil from empty blister packs, cotton thread
15 x 14 cm
Unique artwork
Available

Kwama Frigaux
Kwama Frigaux
coussin Lévétiracetam, 2024
silk organza, foil from empty blister packs, cotton thread
14 x 12 cm
Unique artwork
Available

Kwama Frigaux
Kwama Frigaux
Untitled (Paysage miniature), 2024
fragments of empty plastic bottles, kitchen foil, glass painting, staples.
21 x 15 cm
Unique artwork
Available

Press release

For the first edition of Africa Basel dedicated exclusively to contemporary African art and its diaspora, Galerie Dix9 is pleased to present Kwama Frigaux, a French artist of Ghanaian descent. Born in 1993, Kwama collects the wastes that are everywhere in our intimate and collect ive lives - safety glass, plastic packaging, food grade aluminum, empty medication blister packs - to turn them into sensitive objects that question us. Washed, painted and assembled, these wastes, sometimes bearing traumatic stories, are transformed into sculptures, luminescent rugs, malleable stained glass, and installat ions. The arrangement of colors, playing with the translucent or opaque parts of the materials, the work of cutting and assembling, shifts the perspective we had on this waste and reconfigures a future for it, a potential evocative of other objects, other possible uses and functions that are more reparative of the world around us.