One to One

When photography becomes material, a form, an attitude.

Start with photography. Not with painting. This is already an insistence, almost a provocation, given how the history of art seems to have always taken painting as its primary horizon, its sovereign reference. For a long time, photography was seen as merely a secondary tool: a document, an illustration, a copy. But if we reverse the narrative, if we take photography as a starting point—as a core, ...

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