Past

Art On Paper Brussels

booth 21 hall G3

BOZAR Brussels

09/06/2018 - 09/09/2018
opening 09/05/2018
1/25
Art On Paper Brussels

Art On Paper Brussels
credit photo Jeroen Verrecht

Art On Paper Brussels
series The imitator voice credit photo Jeroen Verrecht

Art On Paper Brussels
series The imitator voice credit photo Jeroen Verrecht

Slobodan Stosic
Slobodan Stosic
Dead Letters, 2017
ink on paper, plexi
60x70x1cm or 23,6x27,5x0,59 in
Unique artwork
Available

Slobodan Stosic
Slobodan Stosic
The voice imitator #1, 2018
serie The voice imitator
pencil on paper
21x29 cm
Unique artwork
Available

Slobodan Stosic
Slobodan Stosic
The voice imitator #2 - detail, 2018
serie The voice imitator
charcoal on mat passepartout
40x50 cm
Unique artwork
Available

Slobodan Stosic
Slobodan Stosic
The voice imitator #3, 2018
serie The voice imitator
charcoal on paper
21x29 cm
Unique artwork
Available

Slobodan Stosic
Slobodan Stosic
The voice imitator #4, 2018
serie The voice imitator
colored pencil on mat passepartout
40x50 cm
Unique artwork
Available

Slobodan Stosic
Slobodan Stosic
The voice imitator #5, 2018
serie The voice imitator
colored pencil on paper
14,5x20 cm
Unique artwork
Available

Slobodan Stosic
Slobodan Stosic
The voice imitator #6, 2018
serie The voice imitator
colored pencil on paper
16x24 cm
Unique artwork
Available

Slobodan Stosic
Slobodan Stosic
The voice imitator #7, 2018
serie The voice imitator
pencil on mat passepartout
40x50 cm
Unique artwork
Available

Slobodan Stosic
Slobodan Stosic
The voice imitator #8, 2018
serie The voice imitator
pencil on mat passepartout
40x50 cm
Unique artwork
Available

Slobodan Stosic
Slobodan Stosic
The voice imitator #9, 2018
serie The voice imitator
pencil on paper
16,5x21 cm
Unique artwork
Available

Slobodan Stosic
Slobodan Stosic
The voice imitator #10
serie The voice imitator
crayon sur papier
20,5x27,5 cm
Unique artwork
Available

Slobodan Stosic
Slobodan Stosic
The voice imitator #11, 2018
serie The voice imitator
pencil on paper
21x29cm
Unique artwork
Available

Slobodan Stosic
Slobodan Stosic
The voice imitator #12, 2018
serie The voice imitator
pencil on paper
21x29 cm
Unique artwork
Available

Slobodan Stosic
Slobodan Stosic
The voice imitator #13, 2018
serie The voice imitator
pencil on paper
21x29 cm
Unique artwork
Available

Slobodan Stosic
Slobodan Stosic
The voice imitator #14, 2018
serie The voice imitator
pencil on paper
21x29 cm
Unique artwork
Available

Slobodan Stosic
Slobodan Stosic
The voice imitator #15, 2018
serie The voice imitator
pencil on paper
21x29 cm
Unique artwork
Available

Slobodan Stosic
Slobodan Stosic
The voice imitator #16, 2018
serie The voice imitator
pencil on paper
29x21 cm
Unique artwork
Available

Slobodan Stosic
Slobodan Stosic
The voice imitator #19, 2018
serie The voice imitator
pencil on paper
29x21 cm
Unique artwork
Available

Slobodan Stosic
Slobodan Stosic
The voice imitator #20, 2018
serie The voice imitator
pencil on transparent paper
21x29 cm
Unique artwork
Available

Slobodan Stosic
Slobodan Stosic
The voice imitator #21, 2018
serie The voice imitator
pencil on paper
21x29 cm
Unique artwork
Available

Slobodan Stosic
Slobodan Stosic
The voice imitator #22, 2018
serie The voice imitator
pencil on paper
21x29 cm
Unique artwork
Available

Press release

From the novel “Bartleby the Scrivener” by Herman Melville, the project develops the concept of representation, copy, imitation, and questions the definition of a work of art. Directly based on Melville text, “Dead letters” is a performative work where Slobodan Stosic, like a scrivener, copies meticulously the whole novel in extremely small letters. He then uses some theorical ideas based on “Bartleby ou la formule” by Gilles Deleuze, as an input for the content of the drawings that surround the central piece. In the series titled “The voice imitator”, some are text based drawings, some are drawings in a technical sense (mainly made with pencil or charcoal on paper), that make uncertainty who made them, and that also provide uncertainty weather they are "good" or "bad" drawings. The various papers used by the artist may be quite old, but also book pages or passepartout. Some drawings develop lines and blurred images. From that basic premise, the artist aims to develop Felix Guatarri idea of collective assemblage of enunciation.