The reflection on the status of the image characterizes all Anamary's Bilbao conceptual work. The pôrtugese artist started working mainly with drawing and with a particular interest in the repetition of the same plastic procedures, testing the visual equivalent of the ratio between remembrance and forgetfulness. From 2016 onwards she begins to work with old negatives and photos that she finds in flea markets. Intervening directly on these surfaces, the final images usually comprise a double gesture of erasure and creation. Currently, she articulates documentation from different sources (photography, drawing, sound, moving image). Through the combination of these elements, she seeks to start fictional narratives that put into question the idea of a single truth. As the artist states, «there is no truth beforehand, only connections, interruptions, and incompleteness - a piece can never end in itself.»