A graduate of the Royal College of Arts in London and the Ecole Superieure des Beaux-Arts in Nantes, Camille Fallet carries out a work that addresses the issues of local experience and its transcription in the form of lyrical documentary. His research is also that of earlier images, linked to a personal imagination. In this associative visual memory, the notion of cutting, in the dual sense of extraction and sequence, holds an essential place.